Museum Fine Arts, Boston
Museum of Fine Arts, Boston
Avenue of the Arts
465 Huntington Avenue
Boston, Massachusetts 02115 617-369-3896 email@example.com
John Singer Sargent (January 12, 1856 – April 14, 1925) was the most successful portrait painter of his era, as well as a gifted landscape painter and water-colorist. Sargent was born in Florence, Italy to American parents. Sargent studied in Italy and Germany, and then in Paris under Emile Auguste Carolus-Duran.
About The Boston Museum of Fine Arts
Boston Loves Impressionism
February 14, 2014 – May 26, 2014
Lois and Michael Torf Gallery (Gallery 184)
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See the exhibition you helped create!
Boston loves Impressionism and always has. For the first time, the Museum of Fine Arts, Boston, invited the public to choose works for a special Impressionist exhibition. Choosing from a different themed group each week, fans voted for their favorite paintings from a selection of fifty works from the MFA’s Impressionist collection, with the top thirty picks earning a spot in the exhibition “Boston Loves Impressionism.” Voters made plain their love for Vincent van Gogh’s masterpiece, Houses at Auvers (1890), which earned the most votes (4,464), edging out Claude Monet, who came in second place with 3,543 votes for his iconic Water Lilies (1907). Third place was taken by Edgar Degas’ Little Fourteen-Year-Old Dancer (original model 1878–81, cast after 1921)––the only sculpture in the contest. These three top vote getters hold a place of honor at the entrance of the exhibition. Come see the exhibition that you helped to create.
Create your own exhibition of Impressionist favorites: order custom prints and purchase gifts, books, and prints at the MFA Shop.
The exhibition was conceived by Malcolm Rogers, the MFA’s Ann and Graham Gund Director. While renovations take place in the large Sidney and Esther Rabb Gallery of European Impressionism, Rogers was looking for a way to keep many of the works on view, and had the idea to get the public involved in choosing which ones by asking them to share their favorites.
The exhibition also includes a case of letters, including one from Monet (to Boston collector Thomas Sergeant Perry) as well as photographs, newspaper clippings and exhibition catalogues tracing the early history of Impressionism in Boston and at the MFA.
Vincent van Gogh, Houses at Auvers (detail), 1890. Oil on canvas. Bequest of John T. Spaulding.
Credits for March-April Preview magazine.
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